So this seems like a dumb question but I wanted to get others opinions. Some of my customers request Seymour Duncan's as well as other brands for guitars I build. I never force them to use my pickups. My customer has requested a reverse zebra 59 model for the neck. However the reverse zebra Duncans are not what I consider to be reverse zebra at all. Duncan's reverse zebra is cream slug side and black screw side. I always thought it was the other way around. Am I just confused or what? I am getting old but geez. Can someone clarify this for me?
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Zebra is black screw/cream slug.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by David Schwab View PostZebra is black screw/cream slug.
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There is no correct, it's just what ever you like. Zebra pickups were just by chance, as were double white (it's not really cream on the originals, it just yellowed with age). The bobbins were never intended to be seen, so they just grabbed what ever color was in the box of bobbins.
Everyone gets hung up on this vintage correct stuff, which is silly. Making a pickup look "vintage" wont make it sound better, make the player any smarter, or make it really vintage.
It's a dumb fad IMO.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by David Schwab View PostThere is no correct, it's just what ever you like. Zebra pickups were just by chance, as were double white (it's not really cream on the originals, it just yellowed with age). The bobbins were never intended to be seen, so they just grabbed what ever color was in the box of bobbins.
Everyone gets hung up on this vintage correct stuff, which is silly. Making a pickup look "vintage" wont make it sound better, make the player any smarter, or make it really vintage.
It's a dumb fad IMO.
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It's like color codes on pickups. Why is everyone different? What's the point? Except for Schaller everyone uses red, green, white, and black. I follow DiMarzio's color codes because they did it first, so that seems good enough as a standard for me!
But I guess when everyone's pickups all basically look alike, you have to do something different.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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It is also interesting to note that double-cream (or double-white, as Dave aptly pointed out) is a DiMarzio trademark, which is why you do not really see any other pickup manufacturers using this (though GFS/Artec have a couple like this).
When Gibson made humbuckers back in the old days, they never thought that players would be removing the covers, so bobbin colors were mixed, and you could get any of four combinations.
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Originally posted by jrfrond View PostIt is also interesting to note that double-cream (or double-white, as Dave aptly pointed out) is a DiMarzio trademark, which is why you do not really see any other pickup manufacturers using this (though GFS/Artec have a couple like this).
It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Exactly, which is how Artec gets away with it too. I've meant to ask Steve Blucher while at NAMM, but it's not usually cool to ask about trademark details. Besides, it's probably posted at the USPTO.
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Originally posted by jrfrond View PostExactly, which is how Artec gets away with it too. I've meant to ask Steve Blucher while at NAMM, but it's not usually cool to ask about trademark details. Besides, it's probably posted at the USPTO.
I wouldn't mind meeting Blucher. It would be fun to pick his brain.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by salvarsan View PostI've never tried a reverse zebra, but
a reverse cowgirl does come to mind.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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