ive been havin problem when winding hotter pickups around 9k with 42# plain enamel. ive been running out of space in the coil, so i am wandering if choose to go with 43# to make it easier to wind to 9k, will it sound very different to winding it with 42#?
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comparisons between 42# gauge and 43# gauge plain enamel.
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Originally posted by guitar_slinger8 View Postive been havin problem when winding hotter pickups around 9k with 42# plain enamel. ive been running out of space in the coil, so i am wandering if choose to go with 43# to make it easier to wind to 9k, will it sound very different to winding it with 42#?
You might want to try the coil estimator and do some calculations. It takes less 43ga wire to read as much DCR because more ohms per foot of 43ga.
So to have the same turns of each size, the 43 ga will read more DCR.
Here's the link Coil Estimator. Play around with that, you will see how the different gauge wire reads differently.
43ga is supposed to sound brighter. The experts will be on in a little while.
Later,
Terry"If Hitler invaded Hell, I would make at least a favourable reference of the Devil in the House of Commons." Winston Churchill
Terry
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Originally posted by guitar_slinger8 View Postive been havin problem when winding hotter pickups around 9k with 42# plain enamel. ive been running out of space in the coil, so i am wandering if choose to go with 43# to make it easier to wind to 9k, will it sound very different to winding it with 42#?
If you're using #43 wire, then the DC readings will change notably; for a bridge p'up the "sweet spot" lies between 13-14.5K. UOA5 and A8 magnets sound great with winds lying between the boundaries. To a lesser extent, Alnico 4 and Alnico 2 as well.
Mind you, any kind of Alnico would work, I'm just stating my personal favorites.
To save you a little bit of time on your process, use a known well sounding ballpark, the fine-tune with magnets once set in the particular instrument. You'll find more times than not that certain "recipes" would work well in most instruments. That's what the well-known winders have found out some time ago.
HTH,Pepe aka Lt. Kojak
Milano, Italy
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Also remember, for the same number of winds of 43 as 42 the coil with 43 is going to be smaller as well and brighter as Lt Kojak eluded to I think. Coils are funny, the wider you make them the less highs, the smaller wire will have more power for the same turns and may be brighter but the inductance goes up and more inductance in theory should darken things. Tension will affect the tone as well as the way the coil is built up and how the wire is laid. It's all kinda contradictory to each other but you have to play with all factors to see what you like and what works. Took me 4 years to finally have a small grasp on things. Good luck and have fun
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Originally posted by guitar_slinger8 View Postive been havin problem when winding hotter pickups around 9k with 42# plain enamel. ive been running out of space in the coil, so i am wandering if choose to go with 43# to make it easier to wind to 9k, will it sound very different to winding it with 42#?
The thinner wire has a higher resistance per foot.
Most hot humbuckers are wound with 43 and 44. If you wind the same humbucker of turns as with 42, 43 will sound a little brighter or tighter with more mids. As you wind past regular humbucker specs you get more mids and a tighter low end.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by copperheadroads View Postyou need a spool of both .....cha ching
Each has a use for a certain tone, though I have only used the 46 once. I mostly use 42 and 43, and sometimes 44.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by guitar_slinger8 View Posti was thinking about mixing them both and windin one coil with 42 and one with 43. i think it might be interesting.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by David Schwab View PostDiMarzio does that on a bunch of their pickups, like the Tone Zone and Air Norton. They had a patent on it (4501185), which has expired.
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Originally posted by guitar_slinger8 View Postmight have to be the way to go, ive been havin problems with the mojotone humbucker bobbins, im tired of the bobbins overfilling . especially when the humbucker im winding its only 8.5kIt would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by big_teeeThese are pretty well mismatched, but really I don't detect anymore hum than normal.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by David Schwab View PostMismatched in turns, or resistance?
Do you remember this thread? http://music-electronics-forum.com/t20673/
I wonder what happened to this guy and idea?
This is the Thread that inspired me to build my blade Hybrid.
Glad I did. I wish someone would make some wider magnets!
Terry"If Hitler invaded Hell, I would make at least a favourable reference of the Devil in the House of Commons." Winston Churchill
Terry
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