The few stacked coil experiments i did always seemed to sound really sterile and lifeless... that's why they were few.
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Originally posted by shane1b4u View PostThe few stacked coil experiments i did always seemed to sound really sterile and lifeless... that's why they were few.
The Kinman stacks sound good too.
Stacks are also very popular in Jazz Bass pickups.
Stacks tend to sound very bright unless you wind more wire on them.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
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Originally posted by David Schwab View PostNo they will subtract from one another! They are out of phase. If you can keep the bottom coil from sensing the strings the low end wont get canceled out. In a side by side humbucker, each coil has opposite magnetic polarity, which adds the signals when the two out of phase coils are summed. Electrical interference enters the coils with the same phase, and is canceled out when summed.
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Originally posted by Mark Hammer View PostWell that helps explain a rather positive result I obtained, even though Evans himself told me it would sound bad. I stuck some polepices I purchased from Evans (and don't ask what type of Alnico they were, because I didn't kow enough to ask either when I bought them) through a pair of Gibson bobbins I had. The polepieces were obviously not long enough to pass through both bobbins completely, so I gather the lower bobbin provides less of the overall audio signal. It actually souds reasonably decent. YMMV.
I had a similar experience with a prototype stacked Jazz Bass pickup. Really bright sounding, but not in a good way!
I did once stack two Gibson patent decal pickups on top of each other, so I could switch to either stack, and I remember that sounding pretty cool. I had the screws in both bobbins and they went through both coils.
Of course now I think about how much those pickups are worth! They were in a Sekova Les Paul copy along with a 70's P-90 at the neck, which I ended up getting rid of when I got married. The Mrs said I had too many guitars laying around!It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by Sock Puppet View PostSplit Strat Pickups
CurtisNovak.com - Pickups and Guitars:Hum Canceling Strat (HC-Strat)
[ATTACH]628[/ATTACH]
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I bend strings on bass... but that's not the reason why it works on bass. The strings are farther apart. Also if you look at a P bass pickup, the coils are offset, so there is more overlap.
G&L has pickups like that.
I had a stereo Vox Phantom with split pickups, and that worked like a humbucker in mono.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by voodoochild View PostI'm surprised to see anyone market this as a product. No offense to Mr. Novak but isn't it obvious that it doesn't work when you bend strings. It fades out really bad. That is why it only makes sense on bass because bending strings is rare for bass.
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Originally posted by David King View PostTo further what David is saying,-it actually doesn't work that well on a bass, I just finished up my latest, most evolved split coil Jazz pickups for 4 string bass and even though the pickup heights are staggered to match the 9" Fender fingerboard radius, there is a marked drop in volume on the A and D strings.
You can also do all the magnets the same. That will make one half of the pickup out of phase with the other half.
These were some of the issues why I didn't bother with the split coil setup with my Jazz pickups, and I wasn't totally happy with the stacked prototype either. So I just made mini humbuckers. But they took some tinkering to get them to sound the way I wanted,It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by David Schwab View Post
You can also do all the magnets the same. That will make one half of the pickup out of phase with the other half.
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I'll have to try the all-north-up and see if the adjoining coils are still messing with each other. I can see where the opposing magnetic fields sort of short circuit the magnetic lines under the A and D strings. I don't know if the out-of-phase coils in close proximity can interfere with each other. There will be some cancellation of any "crosstalk" (where the A coil is picking up some D and vice versa).
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Originally posted by David King View PostThe two halves out of phase is a reasonable solution I think (it simplifies magnetizing and re-magnetizing certainly) -until someone wants to mix in a different type of pickup..
I think Fender had a PJ set that reversed the polarity on the out-of-phase half when the two pickups were used together. That turned it back into a conventional single coil pickup but when soloed via the selector switch it became a humbucker.
I'll have to try the all-north-up and see if the adjoining coils are still messing with each other. I can see where the opposing magnetic fields sort of short circuit the magnetic lines under the A and D strings. I don't know if the out-of-phase coils in close proximity can interfere with each other. There will be some cancellation of any "crosstalk" (where the A coil is picking up some D and vice versa).
Here's how Bartolini does it.
Those would be some narrow coils!It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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