I don't think there's much in audio that can't be simulated, seeing as how high quality digital reproductions sound damn good to me. In the practical worlds of sampling & convolution I think many decisions are often made about streamlining and approximating the data that might sometimes be responsible for the results feeling less "multidimensional."
This having been said, here's an excerpt from the introduction included in my current business plan. Truth be told, I don't think that there's anything "simple" at all about the way in which amps & speakers process a signal but you'll get the idea:
Electric guitars and basses rely on one or more pickups to capture the sound of strings, essentially serving as the primary interpreter of string behavior. These transmit an analog electrical signal to the next device in an extremely variable chain, which could be as simple as an amplifier with speakers or as complex as a dozen signal processors feeding a recording interface. However, the initial input, as represented by the pickup, has intrinsic dynamic elements whose character persists throughout this chain and therefore form a representation of the player’s intent which remains central to the final sound. Because of this, the pickup, offering a choice of response characteristics coming directly from the source, is always of primary importance to guitarists.
FWIW -
Bob Palmieri
This having been said, here's an excerpt from the introduction included in my current business plan. Truth be told, I don't think that there's anything "simple" at all about the way in which amps & speakers process a signal but you'll get the idea:
Electric guitars and basses rely on one or more pickups to capture the sound of strings, essentially serving as the primary interpreter of string behavior. These transmit an analog electrical signal to the next device in an extremely variable chain, which could be as simple as an amplifier with speakers or as complex as a dozen signal processors feeding a recording interface. However, the initial input, as represented by the pickup, has intrinsic dynamic elements whose character persists throughout this chain and therefore form a representation of the player’s intent which remains central to the final sound. Because of this, the pickup, offering a choice of response characteristics coming directly from the source, is always of primary importance to guitarists.
FWIW -
Bob Palmieri
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