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  • #31
    [I]PAF Mysteries and the Leesona 102

    --------------------------------------------------------------------------------



    Why do PAF's vary so widely in resistance?

    The Leesona 102 is a 3 station winder. Each of these 3 stations have separate start levers. The manner in which it is usually run is for one station to be set up and started and then the operator moves on to the next station to set it up until all 3 stations are running. If the winding is timed as Gibson apparently did for most of the PAF era you end up with 3 bobbins with staggered turn counts for each run of the machine. Throw the wound bobbins in a box and it is anyone's guess what you end up with for resistance of the finished pickup. The Leesona 102 did in fact come with manual counters with auto shutoffs. However the gears that runs the counters are fiber gears and not very durable in a day to day use situation. I believe that by the time PAF's were being wound it is quite likely that all of the Leesona 102 counters had failed and Gibson had long since abandoned then and gone to the timing method of stopping the coil wind.

    So why didn't Gibson just get spare parts? Doesn't make a lot of sense to abandon the auto-shut-offs. Manual shut-off must be a huge pain in the ass for the operator.Did you ever find proof that they switched to a timing method?

    What accounts for the widely varying winding patterns of PAF's?

    The Leesona 102 was never exclusively used for any one pickup model. Consequently it would require a set up change for each different model wound on it. And each time it was reset up to do a PAF the parameters of the winding pattern would have to be changed. Some of these adjustments are very crude on the Leesona 102 and operators would only be able to do a ballpark adjustment at best which would mean wide variations in winding pattern between set ups. I have retro fitted my own Leesona 102 with dial indicators in order to make set ups repeatable and to allow for accurate experimentation between them. But the original machine is not capable of having some of the parameters fine tuned beyond a trial and error set up without this retrofit. So good enough would be all that was aimed for by the operator resulting in widely varying winding patterns.

    What factors account for the erratic and sometimes hand wound character of PAF coils winding patterns?

    Have you now worked out the definitive answer to this question?

    The above factors in user setup account for much of the variation. But another important factor is the tolerances inherent in the machine itself. The Leesona 102 is designed to do coils as large as 3". At 3" the tolerances of the cam and other mechanisms of the machine are negligible. But if you ratchet the traverse down to 1/4" for a PAF bobbin these same tolerances now become a very large percentage of the now very small 1/4" traverse of the wire guide. The result is a sometimes very non linear wire traverse when compared to a modern computer guided winding machine or even compared to the same machine at a 3" traverse.

    Why does the wire diameter vary with PAF pickups and why do the bobbins warp?

    The first simple answer concerning wire diameter is that the difference between maximum and minimum tolerances of 42AWG plain enamel magnet wire. But this is not the whole story. The Leesona 102 came with tensioners that were only designed to accommodate 40AWG magnet wire. This means that when you use the thinner 42AWG wire it is very easily is stretched. My Leesona 102 has the original functioning wire tensioners and I can attest that they are a pain to set up. The only other functional Leesona 102 I am aware of uses a whisker disk for tensioning and I completely understand why as it is a breeze to set up. But if you don't use the original tensioners this higher tension factor can be lost. The additional tension makes for a very tightly wound coil which encourages the warpage of the already soft butyrate bobbins.

    Considering the importance of the original tensioners and not wanting to lose the originality of the machine's wind/tension characteristics, can you be sure the felt tensioner you're using now is an exact substitute?


    Other facts about the Leesona 102.

    The Leesona 102 came with a standard gear set from the factory that would give several very specific turn per layer numbers. This turn per layer count is independent of the traverse travel adjustment. So the same gear set would give the same turn per layer count for a 1/4" bobbin or a 3" bobbin. In my experience there is only one PAF turn per layer number and this is one that the Leesona 102 would do with the stock factory gear sets. I have heard of another turn per layer count for PAF's but cannot confirm this personally with my own PAF research. But interestingly enough this other turn per layer count does jibe with the factory gear sets of the Leesona 102. So perhaps the two Leesona 102 winders Gibson had were set to two different turn per layer counts. But this again is speculation on my part which I have not confirmed to my satisfaction.

    You only need work out how many turns will fit in 1/4" with the diameter of whatever 42 AWG you have to come up with the TPL.


    The Leesona 102 had one cam for all traverse sizes and turn per layer counts. The ingenious design of the Leesona 102 means that one cam covers the territory for all winding scenarios of the machine. Knowing this when I first got my Leesona 102 winder I feared that the cam might be significantly worn. But the Leesona 102 is a mammoth machine that is way over engineered for what it does. The cam itself sits in a pool of oil as do most of the other moving parts of the winder. This meant the cam and in fact every other important mechanism on my Leesona 102 showed wear that was nearly non existent.
    [I]

    If you change the tensioning method and dispense with the mechanical counters and auto shut-off can you still say your pickups are PAF clones made just they were by Gibson?
    I can fully appreciate the modifications that you've made but I suspect Gibson would have had considerably more customer support from Leesona than you've had. Spares issues and set-up issues would definately been sorted out by Leesona's engineers.
    Perhaps, as you live so close to Kalamazoo, you might be able to track down someone who worked on the Leesonas. Just a thought.
    sigpic Dyed in the wool

    Comment


    • #32
      Spence I think I have already addressed every one of these items in detail. If you want to PM me I can fill you in on anything you missed.

      One thing I'm not clear about is the phrase "hand wound nature" you used. Are you saying PAF's were hand wound?

      You might find the tensioners on this Gibson PAF winder interesting.
      http://music-electronics-forum.com/s...ead.php?t=7849
      They don't make them like they used to... We do.
      www.throbak.com
      Vintage PAF Pickups Website

      Comment


      • #33
        Originally posted by JGundry View Post
        Spence I think I have already addressed every one of these items in detail. If you want to PM me I can fill you in on anything you missed.

        One thing I'm not clear about is the phrase "hand wound nature" you used. Are you saying PAF's were hand wound?

        You might find the tensioners on this Gibson PAF winder interesting.
        http://music-electronics-forum.com/s...ead.php?t=7849
        Uh, no I didn't use the phrase 'hand wound nature' in my questions above all typed in that annoying blue text. I don't think you've addressed those questions anywhere which is why I asked them. I did see your other post about this historic find. Can't wait to see your own photos as you'll be able to look at the whole machine and not just the tensioners.
        sigpic Dyed in the wool

        Comment


        • #34
          Oh yeah your right. I already addressed that. You can probably find it or connect the dots easily enough.

          I may show more pics of the other winder. It is a super cool find.
          They don't make them like they used to... We do.
          www.throbak.com
          Vintage PAF Pickups Website

          Comment


          • #35
            Originally posted by David Schwab View Post
            Damn that's a nice car! I had some old cars in the past... a 1963 Benz 190 (with the tailfins) and more recently a nice 1980 BMW.. I forget the model, but it was the small one. But that ended up needing to be rewired, and I sold it at that point. I had enough with rewiring my first car, a Bradley GT. Bad grounds in cars are no fun!

            I'd love to see more details on the Leesona.
            You had a Bradley GT??!! Cool! Which version, 1 or 2?

            Comment


            • #36
              Originally posted by Sheldon Dingwall View Post
              You had a Bradley GT??!! Cool! Which version, 1 or 2?
              Version 1! It was a brown metal flake with a white interior and the tinted windows. I bought it used. It was on a '69 VW chassis. I had to rewire the whole thing, because the wires were corroding.

              It was actually my first car! That and the Benz.

              It looked just like this, but brown. I have no idea why someone would buy a brown sports car!

              Last edited by David Schwab; 07-24-2009, 03:30 AM.
              It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein


              http://coneyislandguitars.com
              www.soundcloud.com/davidravenmoon

              Comment


              • #37
                Dave, you rock

                I'm going to have me a Manx one day.

                Comment


                • #38
                  Originally posted by Sheldon Dingwall View Post
                  Dave, you rock

                  I'm going to have me a Manx one day.
                  Thanks Sheldon!

                  Hey, here's another photo you will like



                  Guess who?
                  It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein


                  http://coneyislandguitars.com
                  www.soundcloud.com/davidravenmoon

                  Comment


                  • #39
                    ...

                    OMHG, Dave! You're a GIRL???? HOw about some nude photos????
                    http://www.SDpickups.com
                    Stephens Design Pickups

                    Comment


                    • #40
                      Originally posted by David Schwab View Post
                      Thanks Sheldon!

                      Hey, here's another photo you will like



                      Guess who?
                      Damn you Dave. I'm thoroughly jealous now Imani's still my fav. Talk about gifted.

                      Comment


                      • #41
                        Originally posted by Sheldon Dingwall View Post
                        Damn you Dave. I'm thoroughly jealous now Imani's still my fav. Talk about gifted.
                        Yeah, she's great. I talked to her the other day and she said she's been writing her (pretty little) butt off, so there should be some new music coming soon.

                        I finally got to see her perform with/as Little Jackie, which was fun. She did some recent shows in NYC but I never made it out there.

                        We haven't hung out in quite a while, but I get the random email from her every so often.
                        It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein


                        http://coneyislandguitars.com
                        www.soundcloud.com/davidravenmoon

                        Comment


                        • #42
                          Originally posted by Joe Gwinn View Post
                          I think I understand it, although some more of the surrounding text would be helpful. As would be a photograph of the back side. Or, drawing, if they have one.

                          Is there a thin metal band wrapped partway around a drum behind the big aluminum wheel with four holes in it? The band might have cork or leather glued to it.

                          I bet that mechanism takes some skill to correctly adjust.
                          Just curious. Were these designed as coil winders or bobbin winders. Everybody is assuming that Gibson actually used the tension system as designed in some way.

                          Who's to say they didn't just buy a commercially available winder and say "screw the dancer, that won't work" and just stick some felt tensioners on it from day one.

                          Inquiring minds don't really care that much, but I am curious.. (no, not in that way)
                          www.chevalierpickups.com

                          Comment


                          • #43
                            Originally posted by chevalij View Post
                            Just curious. Were these designed as coil winders or bobbin winders. Everybody is assuming that Gibson actually used the tension system as designed in some way.

                            Who's to say they didn't just buy a commercially available winder and say "screw the dancer, that won't work" and just stick some felt tensioners on it from day one.
                            I was thinking the same thing since they are setup to wind 3 coils at a time...if it were designed to make pickups then why wouldn't it be designed to make 2 or 4 bobbins so that each cycle would at least make an even # of sets?

                            Comment


                            • #44
                              Originally posted by chevalij View Post
                              Just curious. Were these designed as coil winders or bobbin winders. Everybody is assuming that Gibson actually used the tension system as designed in some way.
                              Leesona winders were designed for transformer and relay bobbins, not for guitar pickups. As a rough rule of thumb, no commercial winder is intended for guitar pickups.

                              Who's to say they didn't just buy a commercially available winder and say "screw the dancer, that won't work" and just stick some felt tensioners on it from day one.
                              Perhaps. There are dancer-based tensioners that are small enough and light enough for use with #42 wire and thinner.

                              Comment


                              • #45
                                Originally posted by chevalij View Post
                                Just curious. Were these designed as coil winders or bobbin winders. Everybody is assuming that Gibson actually used the tension system as designed in some way.

                                Who's to say they didn't just buy a commercially available winder and say "screw the dancer, that won't work" and just stick some felt tensioners on it from day one.

                                Inquiring minds don't really care that much, but I am curious.. (no, not in that way)
                                The Leesona 102 is a coil winder but it was not designed to do smaller than 42AWG. The machine came stock with one felt tensioner before the tensioning wheel and one felt tensioner right before the wire guide pulley. If you tie the dancer down with a wire and just use it as a pulley for despooling and bypass the tensioning wheel the wire you can adjust the tension for 42AWG easily. I have photos of 3 other machines in use at Gibson and they all use felt tensioners. Seymour's machine also uses felt tension at the same points also. I don't see any reason Gibson would want or need to do it any other way. Using the tension wheel and the dancer does not work with a PAF style bobbin.
                                They don't make them like they used to... We do.
                                www.throbak.com
                                Vintage PAF Pickups Website

                                Comment

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