We seem to believe that people at "that" time (and "that time" can vary with the technology one happens to be talking about) knew all the things we know about now, but somehow deliberately declined to pass them on, so we had to learn them all over again on our own and begin applying them. Given how often one sees practices in institutions become informally entrenched but NEVER written down, that's plausible I suppose.
More likely, though, people get minimally informed (at least in any conscious, theory-driven way) hunches about what "works" and stick with it. All the peculiar qualities of the Cremona violin-makers have been studied extensively, and I even recall an article in Scientific American years ago with electron-microscope pictures of the effect of the varnish on wood tissue in a Cremona violin. So, um, if the very instrument makers themselves had none of this technology to analyse their methods, and didn't live particularly long lives to be able to see variations in performance over times and productions runs, just what did they base their methods on? Hunches and folk wisdom and "This is how you do X" dictums from the old farts, I suppose. And maybe simple expediency.
It's a bit like thinking that migrating geese somehow have protected knowledge of their flight patterns, and know where they're going. They don't. They do something as individuals that results, by chance, in collective patterns that get them from here to there in remarkable fashion. But they don't "know" what they're doing and have no maps in their head. They just get lucky, and because it's so damn remarkable we think there must have been purpose and design behind it.
I think the description of a bunch of minimally skilled factory-workers gabbing and winding to some pre-ordained minimally-thought-out production spec is probably pretty apt. Keep in mind that our notion of what guitar ought to sound like comes from what we heard first. THEY, in turn, had absolutely no benchmark to guide them in attaining what they thought a pickup ought to sound like. They made what they made...and years later, for a whole host of reasons, we thought it was pretty good. Unfortunately, since they weren't being especially systematic about it and never really formalized their methods and wrote them down, AND we liked it, we're stuck with having to figure it out decades later after the critical parties have died.
More likely, though, people get minimally informed (at least in any conscious, theory-driven way) hunches about what "works" and stick with it. All the peculiar qualities of the Cremona violin-makers have been studied extensively, and I even recall an article in Scientific American years ago with electron-microscope pictures of the effect of the varnish on wood tissue in a Cremona violin. So, um, if the very instrument makers themselves had none of this technology to analyse their methods, and didn't live particularly long lives to be able to see variations in performance over times and productions runs, just what did they base their methods on? Hunches and folk wisdom and "This is how you do X" dictums from the old farts, I suppose. And maybe simple expediency.
It's a bit like thinking that migrating geese somehow have protected knowledge of their flight patterns, and know where they're going. They don't. They do something as individuals that results, by chance, in collective patterns that get them from here to there in remarkable fashion. But they don't "know" what they're doing and have no maps in their head. They just get lucky, and because it's so damn remarkable we think there must have been purpose and design behind it.
I think the description of a bunch of minimally skilled factory-workers gabbing and winding to some pre-ordained minimally-thought-out production spec is probably pretty apt. Keep in mind that our notion of what guitar ought to sound like comes from what we heard first. THEY, in turn, had absolutely no benchmark to guide them in attaining what they thought a pickup ought to sound like. They made what they made...and years later, for a whole host of reasons, we thought it was pretty good. Unfortunately, since they weren't being especially systematic about it and never really formalized their methods and wrote them down, AND we liked it, we're stuck with having to figure it out decades later after the critical parties have died.
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