With the entire machine wound thing I have been concentrating on PAF's. But I know that P-90's were being machine wound as far back as 1955 as I have one that have a 1955 P-90 that is without question machine wound. Knowing that Gibson had Leesona 102's as far back as the late 40's I conclude that P-90's were as a rule machine wound. Does anyone else have an opinion about this?
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P-90 Machine Wound
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P-90 Machine Wound
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With such a short bobbin, I wonder if the Leesona's wobble (happens mostly at each end of the traverse, right?) makes that machine wind more like a hand wound in terms of scatter/variability of pattern? Apart from that, how can you definitively say it's machine wound, and does it make sense to extrapolate their routine method from 1 sample made in 1955?
I ask these questions because I don't know the answers to them btw - I'm not a lawyer.
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Originally posted by Dave Kerr View PostWith such a short bobbin, I wonder if the Leesona's wobble (happens mostly at each end of the traverse, right?) makes that machine wind more like a hand wound in terms of scatter/variability of pattern? Apart from that, how can you definitively say it's machine wound, and does it make sense to extrapolate their routine method from 1 sample made in 1955?
I ask these questions because I don't know the answers to them btw - I'm not a lawyer.
But the point of the post was to get the opinions of others concerning P-90's being machine wound. So yes I'm looking for a broader sample. I don't see why Gibson would be hand winding if they had machines already making P-90's. But maybe the routine at Gibson was to make the poorest use of manpower and only resort to efficient manufacturing methods when they had to. I kind of doubt it though.Last edited by JGundry; 07-24-2008, 08:11 PM.
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I don't see why Gibson would be hand winding if they had machines already making P-90's.
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Originally posted by Dave Kerr View PostOf course not, and I'd still be inclined to agree even if you turned up a different vintage P90 that looked to be hand wound - you'd think that they'd automate the bulk of their production if the end result met their QC guidelines, and would resort to hand-winding as a stop-gap due to machine downtime, etc.
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Originally posted by JGundry View Post...It's not exactly wobble at the ends of the traverse, just no movement from the wire guide as the machine decides to change the direction of the traverse. This translates to coil guided scatter at the top and bottom of the bobbin....
(perhaps you already have, if so, sorry)
Every time I read one of your posts regarding this old machine it gets me intrigued to see what the heck you're on about.
(or is it top secret?)
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Originally posted by RedHouse View PostAny chance you might post some pic's of this Leesona characteristic winding pattern anomyly?
(perhaps you already have, if so, sorry)
Every time I read one of your posts regarding this old machine it gets me intrigued to see what the heck you're on about.
(or is it top secret?)It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
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Originally posted by RedHouse View PostAny chance you might post some pic's of this Leesona characteristic winding pattern anomyly?
(perhaps you already have, if so, sorry)
Every time I read one of your posts regarding this old machine it gets me intrigued to see what the heck you're on about.
(or is it top secret?)
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