Hello again pickup makers,
I've got a few more newbie questions I'd like to ask if you don't mind.
1. I was just looking at the 'enamel' wire I bought (back in 2002!). It had a code on the base under the word 'enamel' that said PUR1. I did a bit of searching and it looks like that's shorthand for Polyurethane 1. So it's not the Plain Enamel or the Formvar I would have ordered. Anyway, I was just wondering is this still a reasonable insulation to wind with, or should I be looking to get hold of PE / Formvar?
2. Also, I've got a 1.4 kg (3.08 lbs) spool of wire - I'm just wondering how many pickups I'd be likely to get out of that?
3. I've got hold of my Forbon now and the eyelets. The eyelets are extremely small, and I have 50 of them, so that gave me the idea of maybe adding some coil taps to my next wind. I was just wondering though, flatwork space limits and crazy wiring nightmares aside, is there any negative tonal impact of having a lot of coil taps?
4. Also I was just wondering if anyone has the following books - "Pickups, Windings and Magnets: And the Guitar Became Electric" by Mario Milan and "The Guitar Pickups Handbook" by Dave Hunter? Do either of these books provide accurate and comprehensive specifications (eg bobbin dimensions, magnets, wire thickness, wind count etc) for a wide range of classic pickups including the usual PAF, P90, Tele, Strat and Jazzmaster but also the less common classics like Gold Foils, Lipsticks, Charlie Christians, Filtertrons, Toasters etc There's a lot of scattered information on the internet, but I'm not sure of the accuracy of a lot of it, so I'm looking for quality researched data.
5. Finally I was wondering if there's a way of shielding a coil from the magnetic field of an immediately neighbouring pickup?
Thanks again, and sorry again for the annoying questions.
Matt
I've got a few more newbie questions I'd like to ask if you don't mind.
1. I was just looking at the 'enamel' wire I bought (back in 2002!). It had a code on the base under the word 'enamel' that said PUR1. I did a bit of searching and it looks like that's shorthand for Polyurethane 1. So it's not the Plain Enamel or the Formvar I would have ordered. Anyway, I was just wondering is this still a reasonable insulation to wind with, or should I be looking to get hold of PE / Formvar?
2. Also, I've got a 1.4 kg (3.08 lbs) spool of wire - I'm just wondering how many pickups I'd be likely to get out of that?
3. I've got hold of my Forbon now and the eyelets. The eyelets are extremely small, and I have 50 of them, so that gave me the idea of maybe adding some coil taps to my next wind. I was just wondering though, flatwork space limits and crazy wiring nightmares aside, is there any negative tonal impact of having a lot of coil taps?
4. Also I was just wondering if anyone has the following books - "Pickups, Windings and Magnets: And the Guitar Became Electric" by Mario Milan and "The Guitar Pickups Handbook" by Dave Hunter? Do either of these books provide accurate and comprehensive specifications (eg bobbin dimensions, magnets, wire thickness, wind count etc) for a wide range of classic pickups including the usual PAF, P90, Tele, Strat and Jazzmaster but also the less common classics like Gold Foils, Lipsticks, Charlie Christians, Filtertrons, Toasters etc There's a lot of scattered information on the internet, but I'm not sure of the accuracy of a lot of it, so I'm looking for quality researched data.
5. Finally I was wondering if there's a way of shielding a coil from the magnetic field of an immediately neighbouring pickup?
Thanks again, and sorry again for the annoying questions.
Matt
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