Something I've never been able to wrap my head around when I began winding pickups was how different values of Alnicos affected the voice of a pickup. At face value, the lower the general output of a magnet the quieter the pickup becomes; how does the different blends of Aluminum, Nickel, and Cobalt contribute to a magnet sounding more scooped with accentuated highs and lows, or a magnet that has softer highs and lows with more focused mids? Of course, these descriptions are subjective but from what I've picked up online they're sort of the general consensus for how each magnet sounds.
So back to the main question, how does this blend of materials and how is the way theyre blended relative to one another change the tone of a pickup?
Something that also made me think about this was Bill Lawrence saying something about how a magnet is just a magnet and its only job is to create a field after responding to statements of ceramics sounding sterile and cheap.
So back to the main question, how does this blend of materials and how is the way theyre blended relative to one another change the tone of a pickup?
Something that also made me think about this was Bill Lawrence saying something about how a magnet is just a magnet and its only job is to create a field after responding to statements of ceramics sounding sterile and cheap.
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