David, by the time your recordings have matured sufficiently to quell any digital glossy artifacts you won't have a chance of comparing apples to apples. Only a Studer 1/2 track on virgin 1960's tape will do but you knew that already.
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Originally posted by David King View PostDavid, by the time your recordings have matured sufficiently to quell any digital glossy artifacts you won't have a chance of comparing apples to apples. Only a Studer 1/2 track on virgin 1960's tape will do but you knew that already.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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Originally posted by David King View PostHmm,
I don't remember seeing your posts about your digital pickups There's always something analogue in every signal chain.
Read what I said:
I have nothing analog in my recording chain.
So just to be clear… at the other end of the cable from my bass, is a analog to digital interface. From that point on the signal path is all digital, through a digital mixer and connected to my computer via S/PDIF coax.
So what you hear is the signal from the bass with nothing coloring that, unless I want to color it.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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