Where do you find all these scams?
Well, at least this guy's caps...surely he does not make custom caps but only rebrands mass production caps....he has not kept up with the high end esoteric market, instead of whole kits of 6-10 caps for various amps for $20-50 he could get more believers if they were $2000-5000 a kit. The big advantage to snake oil with amp parts is that no one can do AB tests with substituting the magic parts in place of the terrible factory parts since it takes a while to make the switch and humans can't remember sounds more than fractions of seconds. Of course the golden ears claim otherwise but what they remember is their impression of the sound, not the sound. The further fallback is that now everyone is convinced that they have to burn in the caps for 100 hours or more which gives enough time to cash the checks and have the money in their accounts.
Little do the true believers realize is that moving the listeners head a couple inches changes the sound a couple orders of magnitude more than any cap or magic resistor could possible impact the sound. Just bizarre I say...
The worst part is that these people are missing the whole point of music. It is like visiting a museum or gallery and viewing a oldmaster at 1 inch with a magnifying lens and arguing about brush fibers. For the price of just one of those interconnect cables they could fly anywhere in the world for the best live performances in real human experienced acoustic spaces. But those hi-fi and guru guitar amp guys never really listen to real music I suppose because no reproduced music could be confused with the real thing. Place a unsuspecting 5 year old behind a curtain and 100% they would easily pick out which music was produced by instruments in the room versus by any sound system ever built.
I do not even have a stereo system anymore....I have 54 world class concert and opera houses within walking distance of my apartment, several top flight jazz clubs filled with really knowledgeable jazz fans, 7 nights a week, for 200 rubles a ticket($6). Hi-fi systems are really lame compared to the actual experience. I would much rather listen to interesting but not polished live rock or blues than any recording, so don't have time for the impersonation of reality. I would rather listen to blasting DJ sets from the dance floor, surrounded by dozens of beautiful girls, working on a sweat for hours than all the fine classic pop or rock every recorded on a $1,000,000 sound system. The sound is not important on the dance floor, the act of being, is.
I do not watch TV either, there is too much to do that is making life than watching, passively, some Hollywood hills writer's interpretation of life.
Ever notice how those who stress over insignificant details of "their sound" have nothing interesting to express musically? It is a dodge to get out of being evaluated for things they are not confident in or skilled in. Real players, play. What or with what makes little difference to them or their audience. None of the top guitar players I've worked with in the studio stressed as much about gear as their wannabe neighbors. Their "tone" is in their expression, and their style(s).
Well, at least this guy's caps...surely he does not make custom caps but only rebrands mass production caps....he has not kept up with the high end esoteric market, instead of whole kits of 6-10 caps for various amps for $20-50 he could get more believers if they were $2000-5000 a kit. The big advantage to snake oil with amp parts is that no one can do AB tests with substituting the magic parts in place of the terrible factory parts since it takes a while to make the switch and humans can't remember sounds more than fractions of seconds. Of course the golden ears claim otherwise but what they remember is their impression of the sound, not the sound. The further fallback is that now everyone is convinced that they have to burn in the caps for 100 hours or more which gives enough time to cash the checks and have the money in their accounts.
Little do the true believers realize is that moving the listeners head a couple inches changes the sound a couple orders of magnitude more than any cap or magic resistor could possible impact the sound. Just bizarre I say...
The worst part is that these people are missing the whole point of music. It is like visiting a museum or gallery and viewing a oldmaster at 1 inch with a magnifying lens and arguing about brush fibers. For the price of just one of those interconnect cables they could fly anywhere in the world for the best live performances in real human experienced acoustic spaces. But those hi-fi and guru guitar amp guys never really listen to real music I suppose because no reproduced music could be confused with the real thing. Place a unsuspecting 5 year old behind a curtain and 100% they would easily pick out which music was produced by instruments in the room versus by any sound system ever built.
I do not even have a stereo system anymore....I have 54 world class concert and opera houses within walking distance of my apartment, several top flight jazz clubs filled with really knowledgeable jazz fans, 7 nights a week, for 200 rubles a ticket($6). Hi-fi systems are really lame compared to the actual experience. I would much rather listen to interesting but not polished live rock or blues than any recording, so don't have time for the impersonation of reality. I would rather listen to blasting DJ sets from the dance floor, surrounded by dozens of beautiful girls, working on a sweat for hours than all the fine classic pop or rock every recorded on a $1,000,000 sound system. The sound is not important on the dance floor, the act of being, is.
I do not watch TV either, there is too much to do that is making life than watching, passively, some Hollywood hills writer's interpretation of life.
Ever notice how those who stress over insignificant details of "their sound" have nothing interesting to express musically? It is a dodge to get out of being evaluated for things they are not confident in or skilled in. Real players, play. What or with what makes little difference to them or their audience. None of the top guitar players I've worked with in the studio stressed as much about gear as their wannabe neighbors. Their "tone" is in their expression, and their style(s).
Comment