Ok J M, I'll back you up on that. But I'll also endorse my solution above. Because If Bob comes to us with pin voltages, component measurements and follows any test instruction we may be able to tell him "The amp is fine You just don't like it." Then he'd have to get out from under that now very expensive amp to buy something he might like better. And if he hates it after two or twenty hours then he'll have personal issues to face. Maybe he's just too obsessive and can't be satisfied with an amps limitations. As in: "thin sounding and the bright switchs are poping real harsh distortion on the high end and WAY too much bass also". I've known MANY Fender amps that do this... IF YOU SET THEM UP WRONG! Old Fender amps are very non intuitive instruments that require intuition to dial in. Just because a bright switch is there doesn't mean you can flip it anytime with any instrument at any volume and any other control settings with any speakers and expect it to sound good. Same applies to the bass control. Just because it goes to ten doesn't mean that ten is the most bass you can have when the amp is overdriving. Something more like zero to two on the bass control is the most bass you can have with the amp overdriving. Under THESE conditions any higher bass control setting only adds flab to the tone. Change the operating conditions in any way and all other parameters and criteria change too. See, these amps are non intuituve. Modern amps are sort of dumbed down so it's harder to get a bad tone. There are more limitations on the adjustments or other operating conditions allow for the greater variance in operation. That's why they all sound like plastic and people love the old amps. But I've known MANY players that used channel switching master volume type amps for years and then, finally got into a vintage amp. And they usually have complaints like "too much bass" and "scratchy top end" or my favorite, "too loud". These players don't know enough about the amps to operate them in a satisfying way.Or they expect something from them that they can't offer. I think a little of this may be happening here. Too bad really. Since truly great players DO like to use vintage amps often and DO know how to set them up and play to the amps strengths. And then they sound great.
EDIT: It's very tempting, when evaluating an amp, to find some setting or another that sounds bad and then repeat the offense over and over. Blang blang blang. Don't do that. Find settings and play with techniques that your happy with instead. Repeating the offensive and complaining about it is sort of like when your buddy say's "Hey, smell this. It really stinks!" Of course you're going to smell it. But you wouldn't carry "it" around with you sniffing at it and complaining.
EDIT: It's very tempting, when evaluating an amp, to find some setting or another that sounds bad and then repeat the offense over and over. Blang blang blang. Don't do that. Find settings and play with techniques that your happy with instead. Repeating the offensive and complaining about it is sort of like when your buddy say's "Hey, smell this. It really stinks!" Of course you're going to smell it. But you wouldn't carry "it" around with you sniffing at it and complaining.
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