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what are you trying to achieve by looking at a schematic for an amp with 8 el34's? its just like an amp with 2 but 4 sets of 2. (so double one with 4). its the same circuitry in parrallel. just takes a bigger transformer as you've noticed.
what are you trying to achieve by looking at a schematic for an amp with 8 el34's? its just like an amp with 2 but 4 sets of 2. (so double one with 4). its the same circuitry in parrallel. just takes a bigger transformer as you've noticed.
sounds like an interesting amp though.
I've worked with these kind of amps before and they all had buffers set between the PI and the powertubes (tube buffers); I just wanted to know if that was nessecary or what designs were used in this.........
I've worked with these kind of amps before and they all had buffers set between the PI and the powertubes (tube buffers); I just wanted to know if that was nessecary or what designs were used in this.........
I've worked with these kind of amps before and they all had buffers set between the PI and the powertubes (tube buffers); I just wanted to know if that was nessecary or what designs were used in this.........
ahh, makes sense. buffers tend to be used in more hifi designs (meaning amps where fidelity is desired). with more output tubes you would probably want a lower impedance feeding them, but when it causes a problem i dont know. a PI tube that can feed more current (ecc85 compared to a 12ax7) is a good start as they tend to have a lower output impedance in most cases.
ahh, makes sense. buffers tend to be used in more hifi designs (meaning amps where fidelity is desired). with more output tubes you would probably want a lower impedance feeding them, but when it causes a problem i dont know. a PI tube that can feed more current (ecc85 compared to a 12ax7) is a good start as they tend to have a lower output impedance in most cases.
Tnx! A simple cathode follower as used in older Fender studio models have my interest so I'll try em!
For the others, here's how the preamp's input was set up: Picture
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