One of the big obstacles in using an amp/effect designed to have the level of overdrive and clipping controlled predominantly by the guitar's volume pot is trying to achieve the desired frequency response in the non-overdriven low signal levels, throughout the rotation into heavy clipping. Unfortunately, this isn't easily overcome, because the amount of low frequency gain needed for a full, "fat" clean tone can muddy up the overdriven sound, causing the guitar to lack clarity at that level. So, IMO, there's the challenge that the desired bandwidth changes throughout clean to overdriven range.
Two examples I which illustrate this well are in the Tim/Timmy overdrive pedal designed by Paul Cochran, and the venerable Fuzz Face circuit (see schematics below).
Timmy overdrive pedal, is a fantastically simple overdrive circuit, which is as good as anything I've played at taking on the characteristics of the guitar, player, and amplifier (Hence, why Danelectro branded it the "Transparent Overdrive", when it copied the exact circuit in their Cool Cat series). The magic lies in that it has a pre-clipping bass control. BUT, the eq doesn't work the way it does in most other ODs. In order to get the most out of the pedal, you have to make adjustments to the bass/treble settings, when you make adjustments to the overdrive level.
The Fuzz Face.. I never understood Fuzz pedals for the longest time. It seemed every pedal maker had a fuzz pedal (or several), and I didn't get it. Until, my friend was troubleshooting one (Fuzz Face circuit) one day, and handed me the guitar so I could play it while he worked something out. So, I dimmed the guitar volume knob, and played through the heavy, saturated type distortion. Then I just rolled the volume off a little; down to like 7 or 8, or something, and all of a sudden there was this simmering clean tone with a little bit of a bite. That was when I instantly got it. I finally got Fuzzes, and I was in love.
But, it's not perfect. You can tell that as the volume control is turned down, the loading mismatch of the input causes a heavy loss of bass just when you need it most. The challenge is keeping the guitar from thinning out too much in the stock circuit.
Now, back to the initial query. One solution, would be a custom type dual pot which would act to cut bass as the volume/gain was turned up. I'd imagine some experimentation would be necessary to find iron out the balance of bass roll off to overdrive setting. But that doesn't solve the problem us Fuzz guys face in the quest to have the perfect everything using one control, right at our fingertips at all times.
This got me thinking about using a fet as a active level control, using the input voltage as a voltage controlled variable resistor in a high pass filter. I have some basic circuit ideas for how it could be used, but I wanted to run it by some of you heavies and see what you thought?
Two examples I which illustrate this well are in the Tim/Timmy overdrive pedal designed by Paul Cochran, and the venerable Fuzz Face circuit (see schematics below).
Timmy overdrive pedal, is a fantastically simple overdrive circuit, which is as good as anything I've played at taking on the characteristics of the guitar, player, and amplifier (Hence, why Danelectro branded it the "Transparent Overdrive", when it copied the exact circuit in their Cool Cat series). The magic lies in that it has a pre-clipping bass control. BUT, the eq doesn't work the way it does in most other ODs. In order to get the most out of the pedal, you have to make adjustments to the bass/treble settings, when you make adjustments to the overdrive level.
The Fuzz Face.. I never understood Fuzz pedals for the longest time. It seemed every pedal maker had a fuzz pedal (or several), and I didn't get it. Until, my friend was troubleshooting one (Fuzz Face circuit) one day, and handed me the guitar so I could play it while he worked something out. So, I dimmed the guitar volume knob, and played through the heavy, saturated type distortion. Then I just rolled the volume off a little; down to like 7 or 8, or something, and all of a sudden there was this simmering clean tone with a little bit of a bite. That was when I instantly got it. I finally got Fuzzes, and I was in love.
But, it's not perfect. You can tell that as the volume control is turned down, the loading mismatch of the input causes a heavy loss of bass just when you need it most. The challenge is keeping the guitar from thinning out too much in the stock circuit.
Now, back to the initial query. One solution, would be a custom type dual pot which would act to cut bass as the volume/gain was turned up. I'd imagine some experimentation would be necessary to find iron out the balance of bass roll off to overdrive setting. But that doesn't solve the problem us Fuzz guys face in the quest to have the perfect everything using one control, right at our fingertips at all times.
This got me thinking about using a fet as a active level control, using the input voltage as a voltage controlled variable resistor in a high pass filter. I have some basic circuit ideas for how it could be used, but I wanted to run it by some of you heavies and see what you thought?
Comment