Interesting. Also just thinking out loud now, but wouldn't 60Hz be a low enough frequency to be included in the mono portion of the amplification with almost none getting past the 200Hz filter? More lily gilding?
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"Take two placebos, works twice as well." Enzo
"Now get off my lawn with your silicooties and boom-chucka speakers and computers masquerading as amplifiers" Justin Thomas
"If you're not interested in opinions and the experience of others, why even start a thread?
You can't just expect consent." Helmholtz
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Originally posted by J M Fahey View PostNotice full power reaches a woofer boc, with an added low pass filter. I wonder why you crossed it out because itīs *essential* for this system.
Sorry for the confusion, that's why I am drawing my own based on the actual amp.
In any case, the amp looks more like a "proof of concept" job than anuthing else.
Maybe it was designed by an Engineer experienced in disc cutting Electronics and he applied his specialized knowledge here..--Jim
He's like a new set of strings... he just needs to be stretched a bit.
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Originally posted by Enzo View PostI'm not the circuit guru around here really. I have no issue with the thing as drawn. It simply has an extra stage of filtration before it starts using it. Less ripple hits things. Might be gilding the lily, since push pull stages tend to cancel B+ ripple. But it costs a few volts to get smoother DC.--Jim
He's like a new set of strings... he just needs to be stretched a bit.
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I still believe that, same reason those Champ models added the stage. But Juan appears to be right as well, I was ignoring the preamp, so this is essentially a pair of single ended amps sharing a transformer. On the other hand, the two sides don't know their grid signals come from different sources, so they still ought to cancel B+ ripple in the power tube stage.Education is what you're left with after you have forgotten what you have learned.
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Here we go. I will double check this again after I get some sleep but I am pretty confident it's exactly the way the amp is set up. I just need to identify the combo resistor/cap parts and the pot values. I have to believe the plates on the 12AX7 are getting B+ through that combo part since lead four goes to B+.
I haven't checked voltages since all I've done is map out the circuit.Last edited by gui_tarzan; 05-20-2017, 02:03 AM.--Jim
He's like a new set of strings... he just needs to be stretched a bit.
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So get out the ohm meter.
B+ goes into D and I expect a resistor (100k?) from D to A and F.
From A and F I expect a coupling cap to B and E.
B and E ought to also have a resistor each to C. (220k-470k?)
What's that, six parts? Likesiwe the other one is tone stack parts.Education is what you're left with after you have forgotten what you have learned.
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http://music-electronics-forum.com/n...newthread&f=48
Up top: click on 'Forum'
Then pick which forum you want.
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New thread? Look at the main menu, pick a topic (music electronics, or schematic request, or whatever). Open the topic. Upper left or the topic menu, is a start new thread button. CLick it.Education is what you're left with after you have forgotten what you have learned.
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Mr.Enzo,
That's great information and I thank you for acknowledging my question. I really like this type of forum because I actually went through an Aviation Communication and Navigation system electronic course 10 years ago. The bench tests and basic principles of resistors, diodes, transformers never really sunk in. Especially how to test using an oscilliscope and reading the sine wave. Now I have a greater appreciation for the Art of repairing micro circuits and semi conductors.
Thanks for the assistance
Joe
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