Consolation Prize- A Smoking Cap Gun?
I have noticed a couple of dings in DiM’s armor. Not chinks- but dings.
Nothing that would support a legal action- but perhaps worth mention if threatened with one.
POOR TRADEMARK MANAGEMENT - FAILURE TO PROVIDE NOTICE OF CLAIM
Trademark Aesthetic Functionality: A Zombie Apocalypse?
As has been noted, DiMarzio’s “standard” color for humbuckers is black (although black, cream, and black/cream humbuckers are equally available at the same price).
That fact alone doesn’t invalidate the “double cream” trademark.
(Actually, DiMarzio has always sold at least some black pickups.)
The fact that DiMarzio sells humbuckers in colors other than “double cream” does not weaken the mark.
It does seem to me the fact that DiMarzio does not provide notice of the “double cream” mark would weaken that mark. But DiM’s lawyers are smart enough to know this, and don’t seem to be concerned….
Check out this page from DiM’s site: Super Distortion®
Note the “Super Distortion®” designation in the title.
Now go down to color options.
Hover over the last two selections: Chrome Top™ and Gold Top™
Now hover over the second color choice: Cream
Not Cream™. Not Cream (see note). Just Cream.
Search the page for a notification like “The double cream configuration is a registered trademark of DiMarzio Inc.” There is none.
It seems a bit curious.
You can’t go anywhere on DiMarzio’s site without tripping over the ®s and ™ s.
But try to find a sign of the “double cream” mark. It’s nowhere to be found.
I’m sure DiM’s lawyers haven’t overlooked this fact.
Maybe they are relying on the mark’s “incontestable” status.
Maybe they are depending on guitar board gripe sessions to maintain the mark’s continued “secondary meaning”! Surely, anyone surreptitiously seeking “double cream” pickups knows about the trademark. Even if “double cream” is associated with DiMarzio in the same way the swastika is associated with the Nazi party, secondary meaning has been established.
Just out of curiosity, has anyone ever asked DiMarzio why they do not use the ™ symbol or written notices to identify and claim ownership of the “double cream configuration” mark on their website? (I don’t know if this is true for packaging or advertising.)
A CURIOUS CONTRADICTION:
CREAM ISN’T WHITE, BUT WHITE IS CREAM
Excerpts from an affidavit which was part of DiMarzio’s trademark application:
But, what's this?
1:13: "There are only 1700 of these guitars made, and very few with double cream and black and cream pickups."
There seems to be some confusion here.
In the affidavit, DiMarzio says some 1959 Gibson bobbins were white or colorless. He says his trademarked bobbins are a distinctive cream color “as distinguished from an ordinary white or colorless bobbin, which would be referred to as ivory”.
In the video, DiMarzio refers to the Gibson bobbins in his original Les Paul as “double cream and black and cream.”
So, are the Gibson bobbins “white/ivory” or are they “cream”?
There are at least three possibilities:
I have noticed a couple of dings in DiM’s armor. Not chinks- but dings.
Nothing that would support a legal action- but perhaps worth mention if threatened with one.
POOR TRADEMARK MANAGEMENT - FAILURE TO PROVIDE NOTICE OF CLAIM
Trademark Aesthetic Functionality: A Zombie Apocalypse?
Failing to Use the Purported Mark as Source Identifier
In many cases where trademarks were invalidated due to aesthetic functionality, the owners of purported trademarks failed to follow the most elementary of practices necessary to protect their trademarks, such as failing to use the TM symbol to provide notice of its trademark claim, not placing the purported mark on packaging, tags, or labeling, not using written notices on packaging that identify and claim ownership of the trademark, and failing to highlight the claimed trademark in advertising. If the purported trademark is not immediately obvious to the consumer as a source identifier, the failure of the owner to educate the consumer of its source identifying significance can be fatal.
In many cases where trademarks were invalidated due to aesthetic functionality, the owners of purported trademarks failed to follow the most elementary of practices necessary to protect their trademarks, such as failing to use the TM symbol to provide notice of its trademark claim, not placing the purported mark on packaging, tags, or labeling, not using written notices on packaging that identify and claim ownership of the trademark, and failing to highlight the claimed trademark in advertising. If the purported trademark is not immediately obvious to the consumer as a source identifier, the failure of the owner to educate the consumer of its source identifying significance can be fatal.
That fact alone doesn’t invalidate the “double cream” trademark.
(Actually, DiMarzio has always sold at least some black pickups.)
The List Price for DiMarzio® full-size humbuckers applies to black, cream and black/cream only.
All other colors and color combinations on full-size humbuckers have a $10 higher List Price.
All other colors and color combinations on full-size humbuckers have a $10 higher List Price.
It does seem to me the fact that DiMarzio does not provide notice of the “double cream” mark would weaken that mark. But DiM’s lawyers are smart enough to know this, and don’t seem to be concerned….
Check out this page from DiM’s site: Super Distortion®
Note the “Super Distortion®” designation in the title.
Now go down to color options.
Hover over the last two selections: Chrome Top™ and Gold Top™
Now hover over the second color choice: Cream
Not Cream™. Not Cream (see note). Just Cream.
Search the page for a notification like “The double cream configuration is a registered trademark of DiMarzio Inc.” There is none.
It seems a bit curious.
You can’t go anywhere on DiMarzio’s site without tripping over the ®s and ™ s.
But try to find a sign of the “double cream” mark. It’s nowhere to be found.
I’m sure DiM’s lawyers haven’t overlooked this fact.
Maybe they are relying on the mark’s “incontestable” status.
Maybe they are depending on guitar board gripe sessions to maintain the mark’s continued “secondary meaning”! Surely, anyone surreptitiously seeking “double cream” pickups knows about the trademark. Even if “double cream” is associated with DiMarzio in the same way the swastika is associated with the Nazi party, secondary meaning has been established.
Just out of curiosity, has anyone ever asked DiMarzio why they do not use the ™ symbol or written notices to identify and claim ownership of the “double cream configuration” mark on their website? (I don’t know if this is true for packaging or advertising.)
A CURIOUS CONTRADICTION:
CREAM ISN’T WHITE, BUT WHITE IS CREAM
Excerpts from an affidavit which was part of DiMarzio’s trademark application:
To my knowledge, the pickup bobbins under the covers in the Les Paul guitars were always either black or a black-like navy blue, with the exception of a very short period in 1959, when some bobbins may have been white.
This short run of bobbins in the Les Paul guitar would appear to be involved with an accident of a shortage of pigment, since such bobbins only had that color for a short time and for a short time some of the white bobbins in double bobbin Les Paul pickups were even combined with black bobbins.
The cream color is specially compounded for the applicant.
The cream color of the configuration of the present application is a distinctive cream color, as distinguished from an ordinary white or colorless bobbin, which would be referred to as ivory.
This short run of bobbins in the Les Paul guitar would appear to be involved with an accident of a shortage of pigment, since such bobbins only had that color for a short time and for a short time some of the white bobbins in double bobbin Les Paul pickups were even combined with black bobbins.
The cream color is specially compounded for the applicant.
The cream color of the configuration of the present application is a distinctive cream color, as distinguished from an ordinary white or colorless bobbin, which would be referred to as ivory.
But, what's this?
1:13: "There are only 1700 of these guitars made, and very few with double cream and black and cream pickups."
There seems to be some confusion here.
In the affidavit, DiMarzio says some 1959 Gibson bobbins were white or colorless. He says his trademarked bobbins are a distinctive cream color “as distinguished from an ordinary white or colorless bobbin, which would be referred to as ivory”.
In the video, DiMarzio refers to the Gibson bobbins in his original Les Paul as “double cream and black and cream.”
So, are the Gibson bobbins “white/ivory” or are they “cream”?
There are at least three possibilities:
- Larry lied, lied, lied in the affidavit!
The original Super Distortions were exactly the same shade as aged Gibson bobbins! - Larry is deliberately confusing customers by referring to white Gibson bobbins as “cream”!
- After 40 years of listening to outraged, addled rants, the old man is confused himself.
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