Bypassing all of the technicalities, the best PAF clones I've ever played are Lollar's and Duncan's Antiquity.
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Originally posted by Possum View PostOK, so now you guys got me totally confused. Was the Beano amp an 18 watter or something else? Huh?
Just like the original, it was rated at 45 watts and came with two Celestion speakers.Although the very first combos incorporated the smaller 5881 vacuum tube, Marshall designed the Model 1962 for the more prevalent but enormous Coke bottle-shaped KT66 vacuum tube.Jim Marshall wanted his new range of combos to be versatile; as a result, he designed the Model 1962 with two 12" loudspeakers and used the JTM45 bass chassis (Model 1986) electronics. The Model 1962 was described in the Marshall catalogue as a "Bass/Lead" unit, making it an extremely versatile amplifier that could be used by guitarists and bass players alike.It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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PAF clones...
You ought to try some others:
http://www.youtube.com/watch?v=ij2F8wXH8nc
I hear Fat Tone are using butyrate bobbins, I wonder how good their buckers are, anyone try them out yet?
I got a Duncan Seth Lover to take apart, pretty good job there, I think the Burst bucker I got seem to hit more authentic tones but on the dark side, kinda surprised me since alot of what they did inside is just plain wrong :-)http://www.SDpickups.com
Stephens Design Pickups
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Originally posted by RedHouse View PostI'm gonna have to say for the record ...I don't know... I thought I knew, now I'm not so sure.
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Can you guys email Marshall directly and ask them? I wonder if they'd actually know, probably just a bunch of young kids working there now...http://www.SDpickups.com
Stephens Design Pickups
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Originally posted by RedHouse View PostWow it seems like that story is a combination of two stories, back when Gibson put out it's (90's) Page model they said the push/pull pots were to simulate the under-the-pickguard switches that #2 had, so now this article has it that #2 had both pickguard switches AND push/pull pots!
If this thread had started a few weeks back i could have got all the info from the Jim himself, I met him at the LIMS in London, but then i bet someone would say that his mind ain't what it used to be . All i can tell you is that early Marshalls were inconsistent, when Garry Winterflood worked with Dennis Cornell of "Cornell" amps fame, Garry had a bunch of the same vintage marshall amps for Dennis to look at for inspiration and found they all had a little something different. And if you know anything about Dennis Cornell he would be able to spot if the changes were done after they left marshall. so they left marshall that way.Last edited by greenfingers; 07-22-2008, 01:30 PM.
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Originally posted by dai h. View Postso if Marshall, etc. is wrong then PROVE IT. Show the evidence to back up your assertion. This has to be something more than "me and my friends think so...". If you can prove it, then maybe you could be right. So, far I see nothing besides a similar appearance and some pictures of 18-watt chassis.
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Originally posted by dai h. View Postso if Marshall, etc. is wrong then PROVE IT. Show the evidence to back up your assertion. This has to be something more than "me and my friends think so...". If you can prove it, then maybe you could be right. So, far I see nothing besides a similar appearance and some pictures of 18-watt chassis.
It's becomming rapidly apparent that there are two types of Bluesbreaker, and in any case you are using the term to describe one particular amp, fair enough I suppose.
You call one particular combo amp a Bluesbreaker, many others have always called the combo's as a group of amps Bluesbreakers, much the same way as I would call a general type of Marshall a "Plexi" which doesn't refer to one particular amp but a particular series of amps, perhaps that is correct, perhaps not.
Can you post any chassis pic's of an original JTM45 Bluesbreaker? (or links) I would indeed love to see 'em, as I too have read that they were supposed to be JTM45's originally but all the pic's I can find of original bluesbreakers are of the EL84 type, too strange how the JTM45 Bluesbreaker is aparently MIA for pictures on the internet.
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Originally posted by greenfingers View PostWHAT DO YOU THINK........ hope this helps?
Thank's for posting it, and do you have any chassis pic's of an original JTM45 Bluesbreaker with KT66's?.
I wonder what model number the EL84 version goes by? was it also a 1962 but with different power tubes, or was it a different model number I wonder?.
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well, show how he came to that idea since he seemed to be quite adamant before. How that was arrived at since there are other sources such as Doyle, Marshall themselves, the Pittman book, etc. concluding differently (other sources which were brought up and cited but casually dismissed). How exactly was the different conclusion disproved? Not to mention the idea that someone would actually confuse an EL84 with a KT66 or that I was somehow trying to imply the Van Halen 1 album was an example of the use of a "Bluesbreaker" which at the least is a ridiculous misrepresentation of what I stated.
uhhh, aren't those 18-watters? There is a whole chapter on it in Doyle's History of Marshall book and according to him the Bassman one is the Bluesbreakers amp (named after the John Mayall album) not the 18-watter. You have me very confused, lol...Originally posted by RedHouse View PostOk whatever, the pic is of an original, I don't know about the Doyle book.Originally posted by greenfingers View PostWHAT DO YOU THINK........ hope this helps?
download to open up a pic of the back cover of the album showing amp:
http://www.allcdcovers.com/show/671/...retail_cd/back
anyway, found a bit more that was interesting:
source:
http://groups.google.com/group/alt.g...44ef177585bef0
so I'm looking at the page now, and the 2x12 18-watt combo on top of the "Bluesbreaker" (which has the same cosmetics on the Beano album amp but different to the 1962 shown in the above scan without the sort of "lip" overhanging the front) is a bit narrower side to side but the spacing of the logo on the vinyl of the top 18-watter looks closer to the amp shown on the back cover of the album. Scanned the page and tried to compare side to side, and it looks like the History of Marshall "Bluesbreaker" matches the width of the album pic (Clapton amp is at a slight angle, Hist.ofM. amp is straight on), but it's hard to say for certain. If there was a good eyewitness account saying they were "small narrow bottles", or "a big bottle", etc. or a picture from the session showing a clear picture of the control panel or back--that would be conclusive methinks.
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this is a 1962 JTM 45 model combo form 1966 AKA "Bluesbreaker" wich looks like it has KT66's in.
Last edited by greenfingers; 07-22-2008, 06:32 PM.
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Originally posted by dai h. View Postthe cosmetics are different on the amp shown on the back cover of the Bluesbreakers album:
The second version is IDENTICAL to the one you see in the sleevenotes of the Beano album. This is possibly where the mix-up between the 1962 JTM 45 "bluesbreaker" model and the 1958 18 watt amp happens since they look almost the same from the front.
So to my mind Eric used the second series of the 1962 combo aka "Bluesbreaker"............. Now all that said, there is one school of thought and just to complicate things a bit more that it may have beem possible that Eric may have used the 1961 combo 4x10" instead of the 1962 2x12"
but let's not go there.Last edited by greenfingers; 07-22-2008, 07:33 PM.
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Originally posted by RedHouse View PostDai, I haven't said Jim Marshall is wrong etc, or the references you and David have made are wrong, what I have tried to say, and show is that the 18 is a Bluesbreaker.
It's becomming rapidly apparent that there are two types of Bluesbreaker, and in any case you are using the term to describe one particular amp, fair enough I suppose.
You call one particular combo amp a Bluesbreaker, many others have always called the combo's as a group of amps Bluesbreakers, much the same way as I would call a general type of Marshall a "Plexi" which doesn't refer to one particular amp but a particular series of amps, perhaps that is correct, perhaps not.
Can you post any chassis pic's of an original JTM45 Bluesbreaker? (or links) I would indeed love to see 'em, as I too have read that they were supposed to be JTM45's originally but all the pic's I can find of original bluesbreakers are of the EL84 type, too strange how the JTM45 Bluesbreaker is aparently MIA for pictures on the internet.
pic of original JTM45/Bluesbreaker:
http://launch.ph.groups.yahoo.com/gr...os/browse/c32a
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Anyone remember Park amps?It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure. — Albert Einstein
http://coneyislandguitars.com
www.soundcloud.com/davidravenmoon
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