Pickup winding has been on hold for a bit. It's part of a larger project to see what I can do with an Epiphone dot. So far I've re-wired it with Jimmy Page wiring, made a couple of humbuckers, and recently I built a new amp: a WF-55 (5F1 champ) from ampmaker. Different pickups interact with different amps differently (that's one nice thing about having JP wiring - more chance of finding something that works) so I thought I'd better pause in the pickup winding until I've got the champ to try them out on. Future pickups will be wound specifically to work well with this amp.
As for the champ... wow! Here's a clip with the volume turned up full:
http://ccgi.mcgruff.plus.com/~mcgruff/misc/wf-aiken-vol-11.wav
Turn the volume back a bit and smash the preamp stage with clean boost and EQ to increase the mids:
http://ccgi.mcgruff.plus.com/~mcgruf...rated-riff.wav
The little amp that sounds huge:
http://ccgi.mcgruff.plus.com/~mcgruf...aiken-rock.wav
Clean sound, neck pickup. Lead track is set to just slip into break-up when you push hard. This feels very responsive and is great to play:
http://ccgi.mcgruff.plus.com/~mcgruf...of-breakup.wav
Great little amp. I love the simplicity of the circuit - very easy to build. It may be a tiny 4-watter, but it's got a huge sound.
All clips were recorded direct using a line out and cab sim. The line out was another, highly recommended DIY project: the Aiken reactive load. This takes the signal from the speaker out and therefore captures the full flavour of the amp including output stage and transformer. The circuit is designed to mimic the impedance response of a real speaker which seems to help preserve dynamics.
If you're recording, the raw signal will need some EQ or a cab sim to mimic a speaker frequency response. Or you could plug it straight into a slave amp or PA.
As for the champ... wow! Here's a clip with the volume turned up full:
http://ccgi.mcgruff.plus.com/~mcgruff/misc/wf-aiken-vol-11.wav
Turn the volume back a bit and smash the preamp stage with clean boost and EQ to increase the mids:
http://ccgi.mcgruff.plus.com/~mcgruf...rated-riff.wav
The little amp that sounds huge:
http://ccgi.mcgruff.plus.com/~mcgruf...aiken-rock.wav
Clean sound, neck pickup. Lead track is set to just slip into break-up when you push hard. This feels very responsive and is great to play:
http://ccgi.mcgruff.plus.com/~mcgruf...of-breakup.wav
Great little amp. I love the simplicity of the circuit - very easy to build. It may be a tiny 4-watter, but it's got a huge sound.
All clips were recorded direct using a line out and cab sim. The line out was another, highly recommended DIY project: the Aiken reactive load. This takes the signal from the speaker out and therefore captures the full flavour of the amp including output stage and transformer. The circuit is designed to mimic the impedance response of a real speaker which seems to help preserve dynamics.
If you're recording, the raw signal will need some EQ or a cab sim to mimic a speaker frequency response. Or you could plug it straight into a slave amp or PA.
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