Acc. to Zollner a stronger field shortens the aperture and thus somewhat increases treble.
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Originally posted by Helmholtz View PostAcc. to Zollner a stronger field shortens the aperture and thus somewhat increases treble.
How would that work?
As far as increasing treble response, beyond a high enough frequency, the treble decay becomes so rapid that it only exists as a feature of the transient. I think the aperture is so narrow, even if should be as wide as an inch, that the involved frequencies manifest in the transient, or the pick attack, and are not perceived much in the overall treble response, from attack through to decay.
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Originally posted by Antigua View PostHow would that work?
Saturation may be involved.
From the length of the aperture the (comb) filter response can be calculated. As the wave lenghts on each string are different, so are the filter responses.
Formulas and plots in Zollner's books.
Generally a narrower aperture is most audible on the bass strings.
I think that the attack response plays an important role regarding perceived brightness of musical instruments.
I notice a slight increase in brightness with PUs closer to the strings.Last edited by Helmholtz; 12-29-2023, 11:01 PM.- Own Opinions Only -
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If the field is stronger, then the distance along the string from over the center of the pole piece (zero magnetization) to where saturation happens decreases. It is this region where the magnetization is changing that is the source of the field that passes through the coil. Thus, stronger field, shorter aperture.
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