Originally posted by nosaj
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Classic Tone died - so not much help you did for them. I always found them pretty poor but I didn't invest much in them. I talked with the president of the company a few times and he was always trying to sell me volume, which I didn't want. I did like some of the tonal aspects of the ones I used, but driven they never performed the way I wanted. Either fizzy or harsh. Every clip I've heard of them sounds fizzy as well, so I think that was something inherent to their materials or winding patterns. Some people seemed to like it, and Page used them on his amp, which wasn't a clean amp by any means. None of this could save them though. All-in-all I think they just had a failed business model. You may not like MM's, but they've been around for a long time.
I should add as far as the Fender accounts, what I was told by Patrick (and I believe) is that Fender wanted to use MM's on all their high end amps, but they could only hit their numbers on the Deluxe and the Twin. The champ used Schumacher, and that little amp was already way expensive (now like 1150, was around 1000) and the added cost of MM couldn't work for them. I'm not sure about the BF, but I'm pretty sure it was the same story. The Deluxe and Twin are simple amps with a relatively high market value, and that allows companies like Fender to use better parts stock. As you add in more tubes and reverb, and not a lot of cost increase, it gets really hard to squeeze the extra cost of high end iron.
I like Heyboer OK still - getting anything custom from them is a PITA so you're going to buy it through Mojo and have a very limited choice of what to work with. Edcor has seemed pretty good quality and tone to me, but I've mostly used that on clean, studio-type equipment so I can't speak to how they sound driven. The PTs are good. They are slow though and for me, motivation to get a project on and finished requires I'm not waiting 3 months for parts.
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