Originally posted by pdf64
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In terms of actual circuit practicality, with an adequate PSU design, both performed perfectly well. I've never done an actual an actual A/B test where I literally swap or switch like an OT, but I've built similar circuits with both, and in terms of measured voltages they both perform the same.
What I'll equate this to is Hammond's ruthless corporate efficiency. Let's compare a Hammond enclosure to that which one would get from say Mojotone, or another custom maker on Reverb or the like. They are 0.04 or 0.05" thick, which I'll say, I've used for a lot of small amps with light transformers. They are pretty light duty though and are easy to bend. They are the BARE minimum (maybe less if you're using a heavy transformer set of building something for gigging). The steel chassis' are a little better, but still not as stout as what I use these days. At any rate, that is my impression of how Hammond sizes cores. There's no extra.
I mentioned it before, but in terms of using transformers for a specific amp, MM PTs were spot on for the voltages I expected. I had no hum or buzz issues due to core coupling, etc. I have had this issue with Hammonds though. Again, I'm not sure there's anything to write home about with the MM PTs except they have a 10 year warranty (some people seem to have issue with actually claiming it, I've never had a warranty issue), they seem to have a more robust heater supply which is nice if you want to add extra valves over a stock design i.e. you can use an existing PT design and add reverb or tube trem without much issue, and for the rated primary current, they seem to have a bigger core. This is not applicable to vintage designs where they are constrained to a specific package. They do use their own proprietary steel - I don't know that it could be much better than M6, but it isn't because they say which designs use that over standard. I tend to think, based on OT efficiency, that it is better than what other manufactures use because of the increase in headroom and dynamic volume characteristics I've noted in comps. That could be something to do with winding pattern as well as other optimizations. What I was told is they tune each build for maximum inductance, so that may include a number of tweaks, and I'm not sure how they control that in the production process, but they claim to be able to control it.
In terms of PT designs for guitar amps that actual comply with specs for inrush current, you'd be surprised how few do. In some instances, this has become an issue and destroys diodes, particularly when standby switches are used, but I really don't use them that much anymore, and avoid them in the traditional sense with tube rectos. A mute switch is much more practical.
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