Originally posted by Hugh Evans
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People with a long experience winding and making p'ups for a living, like Spence in this case, know that trying to define certain parameters like "organic sounding", "oomph", "articulation", "airy top", "harmonic complexity" to cite just a few, is an exercise in futility, let alone assign'em to certain parameters in a mathematical equation derive from analysis.
FWIW, Kevin Beller, together with Seymour Duncan have developed a "tonal footprint" controlled analysis enviroment, used to reproduce certain p'ups like the ones found in the original "Pearly Gates" guitar from Billy Gibbons, or the ones in Joe Bonamassa's '59 'burst. IIRC, this enviroment gives not less than seventy variables. But judging the results are always persons. What you're trying to accomplish reminds me of the book "The Hitchhiker's Guide to the Galaxy": after three billion years of a computer analyzing the meaning of life, the end result was 42.
I let you with a phrase by me coniated, use it as "food for thought", if you so wish: "Not everything that can be measured counts, and not everything that counts can be measured".
HTH,
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