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| Guitar Amps General discussion about amps |
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| | #1 |
| Member Join Date: May 2006
Posts: 78
| Fender 350k tapped treble pot
I've never had the opportunity to play any of the old Fender amps utilizing this. I'd like learn a little about it... Can somebody give me a rundown on what effect this particular pot has, in terms of both function and sound-wise? Thanks in advance, Fred G. Last edited by Fred G.; 03-06-2007 at 08:36 PM. |
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| | #2 |
| Member Join Date: Jun 2006
Posts: 102
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It shunts a little bit of the high end (from the bass and mid portion of the tone stack) to ground. I've played amps with it...some nice, some I didn't care for...but the only times I've swapped them in and out with regular 250K pots, I can't tell any difference.
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| | #3 |
| Member Join Date: May 2006
Posts: 78
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Thanks, Admiral. So that's all it does, huh? I have always wondered about those pots. Nice to know now that I won't want to fork out any cash to try one out! Thanks again - I appreciate the info. Fred G. |
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| | #4 |
| Member Join Date: Jun 2006
Posts: 102
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That's all it does in that circuit. You'd get identical results with a 280K pot (OK, 250K), and a 70K resistor (OK, 68K). Connect the resistor on one end to the bass pot/treble pot junction and on the other to a .0033uF cap to ground.
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| | #5 |
| Senior Member Join Date: May 2006 Location: What's left of NW Indiana
Posts: 1,072
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FYI, Kelley Brown's schematic for the Transatlantic Bassman uses the methods you've mentioned to simulate the whiteface tone controls. You can google the schematic.
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| | #6 |
| Member Join Date: Jun 2006
Posts: 102
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The only situation in which that won't work is if you turn the treble down past the 'tap' point...but I can't imagine that many people do/did.
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| | #7 |
| Member Join Date: May 2006
Posts: 56
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Weber VST used to have those pots - and they were reasonably priced. I haven't checked recently.
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| | #8 |
| Senior Member Join Date: May 2007 Location: SW Florida
Posts: 336
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The tapped pots were used for James (Baxandal) tone controls The James circuit was used for hifi amps primarily because it has a flat frequency response with the treble and bass at 5. Increasing the treble and bass resulted in a mid-scoop similar to the Fender/Marshall tone controls. The story is that Fender got a bunch of these pots from a HiFi amp builder that went out of business. He used them for a little while and then switched back to the standard circuit. The attached schematic is for a 6g8 twin. Last edited by PRNDL; 05-05-2007 at 07:57 AM. Reason: more detailed info |
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